Everything that you’ve ever wanted to know about Urban Hieroglyphics AKA the Graffiti Art Movement, is contained in what Indie Executive-Producer Bob Bryan calls the "most highly anticipated Video to DVD collection release" of the GRAFFITI VERITE Documentary Video Series.

The successful National Educational Media Network "Gold Apple," and CINE "Golden Eagle" Award-Winning Series, produced by Bryan World Productions, LLC.is now available for Worldwide DVD product distribution and Foreign Language Videograms. Bryan is geared up for ahuge 2005 marketing push and sell through bonanza.

The multi-award winning Five (5) DVD series, directed by filmmaker Bob Bryan has single-handedly become the most innovative and successful series in the market that explores the eclectic psyches, art and ideologiesthat spawned the underground world of hip-hop and the Urban Graffiti Art Movement. GV is an ideal acquisition to reach the Young Adult, Hip-hop, Graffiti Artist, Art Educator / Student and Teen demographic. As a testament to its crossover appeal, parents even love it !!

"Required viewing for all citizens of Big Cities that dont understand the significance and impact of Graffiti..."
Rap Pages Magazine

In an innovative bold stroke filmmaker Bob Bryan created GV4 : The Basic Techniques for Creating Graffiti Art on Walls and Canvas a how-to video that actually teaches novices and beginners how to create and master the Graffiti Art Techniques so that they can create their own artistic expression.

 Graffiti Verite :
Read the writing on the wall DVD
 Graffiti Verite’ 2 (GV2) :
Freedom of Expression ? DVD
 Graffiti Verite’ 3 (GV3) :
A Voyage into the Iconography of Graffiti Art DVD
 Graffiti Verite’ 4 (GV4) :
Basic Techniques for Creating Graffiti Art on Walls and Canvas DVD
 Graffiti Verite’ 5 (GV5) :
The Sacred Elelments of Hip-hop DVD

According to Bryan, "never before in history has there been such an art movement that has impacted so many people on a worldwide basis. Graffiti Art is both loved and hated and it’s freely given away to the anonymous public.

The walls are visually screaming loudly and were ignoring its historical and emotional significance.
If your child were yelling at the top of their lungs in the next room, could you ignore their agonizing screams ? I don’t think so...."

Bryan believes that as a culture we cannot afford to be so blind, not to "read the writing on the wall." The canvas walls of our city streets are being used pretty much like newspapers uses paper to tell the story of the people’s daily struggle and search for identity. Of course, this controversial public art dialogue is articulated with allot more flava, attitude, passion and conviction.

We study hieroglyphics, petroglyphs and cave writings to try to understand its connection to it’s culture, but somehow we choose to disregard the messages being blasted loudly and in 3D on today’s graffiti filled walls. It doesn’t make sense.